Shown at 1000 percent.
Roman Muradov is an illustrator and cartoonist who barely needs an introduction here. Originally from Russia, he has been making his fellow illustrators and doodlers sick with envy over the past few years with his incredibly inventive and constantly elegant work.
Here he shares his choices to listen to again and again if he found himself chained to his desk.
My appreciation of the Fall follows a standard pattern of “it’s repetitive and the singer can’t even be bothered to sing, is it even music?” to “it’s repetitive and the singer can’t even be bothered to sing, why do I listen to anything else, ever?” I’m into C.B. is one of Fall’s finest creations, and possibly my favorite song of all time. The dense pummeling rhythm, repeated with hysterical insistence throughout the song is given central stage, unhindered by fancy melodies or excessive production. Lyrically, it’s balancing between the straightforward narratives of Grotesque and marked obscurity of Perverted by Language, complete with MES’s signature attention to mundanities, sharp phrasing and self-referencing. When I try to figure out why I prefer the Fall to any other music, I think it fall back to the initial reaction: it’s borderline not quite music, yet it’s laden with distorted pop artifacts, scattered among the profound strangeness of Mark E.Smith’s delivery.
A gift for a friend who happens to really love bats.
I ended up writing the intro and Bat Fact No. 7!
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through."
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking.
God damn I love this movie
I am happy, hope youre happy too! :)